DVD Review: Night of the Living Dead: Reanimated

Hi all!

Zombies. It seems there’s a worldwide resurgence in zombie attacks these days – in movies, television, and books. But the traditional perception of a zombie started in 1968 with the release of George A. Romero‘s Night of the Living Dead. Romero used traditional storytelling, merging the “threat from space” with the rise of a virtually unlimited army of the dead seeking to consume the living.

What is it about zombies that makes them such a compelling horror figure? They feel no pain. They have an insatiable hunger for living tissue (and yet won’t eat each other). Anyone they bite becomes another member of the undead army. And no matter how many you destroy (bullet, blunt object, or blade to the brain), there always seem to be more of them.

As you can see, zombies have a special place in my heart even though they’d eat it like a valentine if they were given the opportunity. So when I heard about the Night of the Living Dead: Reanimated (NOTLD:R) project which brought together nearly 150 artists and animators from around the world to revisit scenes from the classic film in their own particular mediums, I knew I had to check it out. NOTLD:R didn’t disappoint.

I knew it was going to be an eclectic mix of styles and media – but I didn’t know just how eclectic. These artists used everything from rotoscope and abstract shapes, to sock puppets and stop-motion animation, to cartoons and video games to show their vision of these scenes. And through it all, I found myself fascinated by the sheer variety, skill, and talent of all of these people from around the world.

My only complaint (a very minor one) is that I didn’t have a second monitor handy to play the original beside the animated version. But I will be fixing that issue by downloading the movie and watching it on my laptop at the same time I’m watching the animated version on my television. Many places it’s easy to see the influences of the original – the shapes, backgrounds, and so on showed themselves in the art. But in others, as with the abstract shapes scribbled in that appear as zombies, it’s less easy to see the old in the new. That’s not a bad thing honestly – making something new out of something old – so it’s just a very minor nit.

Beyond the movie itself, there are an insane number of of extra features. The commentary alone is worth listening to. Jonathan Maberry, one of my favorite zombie fiction authors of recent years, joins Mike Schneider (project producer), journalist Pierre Gutierrez, and Wild Eye’s Rob Hauschild to provide some context for the project. Listening to these folks discuss how the movie came to be over the course of 18 months from inception and request for submissions to the final product is simply incredible. “Reanimated” refers to the fact that the movie initially had life, but it’s now being animated again in a different manner.

Also included is a second commentary track with Mike Schneider, filmmaker Keith Croker, and Corpse S. Chris of “Horror Host Graveyard” which specifically deals with how the project was put together. And even a third commentary featuring 27 artist call-ins talking about the scenes they produced. It’s obvious that everyone involved, whether an artist, producer, or promoter, feels passionately about the project and enjoyed the aspects they contributed to.

Beyond the commentary, there are extras upon extras. Not everything could be included in the final edit due to time constraints, so many sections had to be cut down. In the extras, you see the full extended scenes as created by the authors. Among my favorites was the “Cats and Mice” extended scene from Andres Silva, which portrayed a scene in almost a Tom and Jerry style of cartooning.

You also get several “Behind the Scenes” videos where three artists – Ryan Sigg, Calum MacASKILL, and Mike Boas – show how they produced their segments. I watched all of these with my daughter, who is an aspiring artist, and found them fascinating. The artists provide great details about their different processes – from rotoscoping with Boas, producing abstract zombies with MacASKILL, and how to film stop-motion animated scenes with plasticene figures and a green screen with Sigg.

Many more extras are included, but I highly recommend watching “The Zombie Encounter Panel” – an hour long panel filmed at a conference in 2009 that features Maberry, Dr. Kim Paffenroth, John Joseph Adams, David Barr Kirtley, Gutierrez, and Hauschild. Like all panels, each member has a unique perspective on zombies in a variety of media. Listening to the panel is like having your own private zombie conference in your living room. It was great to listen to their first zombie experiences, favorite unknown zombie media, and what they’d do during a zombie attack!

If you like zombies or art, I highly recommend you check out Night of the Living Dead: Reanimated when it’s released on DVD on September 21, 2010. Not only is the artwork amazing, but the extras included make this a must have for anybody in your zombie horde.

Article first published as DVD Review: Night of the Living Dead: Reanimated on Blogcritics.


p.s. Pick up this and other great DVDs and books below!

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Book Review: Snobbles the Great: A Snooze Patch Story by Erika Gragg and Jason Dobkin

Hi all!

Snobbles the Great: A Snooze Patch Story is about Snobbles, a fruit-eating snake who saves the other snakes of Snooze Patch from a terrible mongoose. Jason Dobkin and Erika Gragg combined a mix of art techniques with a rhyming narrative to create a unique product. The goal of the book is to inspire parents and teachers to incorporate creativity and art into daily activities.

Unfortunately, I have to say that it didn’t work for me. Though we really wanted to like Snobbles, it didn’t really work for me or my family when we read it together. Somehow the artwork ended up being underwhelming (or overwhelming, which I’ll talk about in a minute) and the story falls apart in the second half of the book.

I do respect Dobkin & Gragg’s approach to try and inspire artistic expression. The idea of combining multiple artistic disciplines of painting, sculpture, photography, stage design, lighting, and cinematography is a good one. But in this case, it often produced images that were far too busy to enhance the story and inspire creative expression.

For example, on the first page the opening image of Snooze Patch reveals very little to contribute to the text – “Sneaking and sliding around in their sleep, dreaming of sweet little morsels to eat, sensing the sun rise over them brightly, six snakes in the Snooze Patch slithered slightly.” I would expect to see one or more snakes waking up and see a sun breaking over the horizon. Instead, we see a strange building in the distance, a desert valley with some rocky peaks beyond it, and a few snake holes and cacti.

A couple of pages later we’re introduced to the main character of the story, Snobbles. The only thing in the picture hinting that Snobbles is the main character is that he’s not blurry in the background of the image like the other snakes and features.

And later in the book, Snobbles and his friend Scoot (a scorpion) go into an underground tunnel that appears to be inspired by an acid trip from the 1960s. Bright colors and weird mushrooms and stalagmites against a bizarre swirl of colors in the background. My children didn’t find it inspiring as much as confusing.

Beyond the art, we found the rhyming story to not always rhyme well or consistently. And the evil mongoose, the bad guy of the story, seemed to lose the ability to speak in complete sentences with phrases like “Me catch you and eat you, you can’t escape me.”

On the second to last page, the authors decided to not only include two stanzas of the rhyming story on a single page, which was confusing, but introduce new characters from the Snooze Patch. All of a sudden we were introduced to Snack Mamba, Snoo-Billy Doo, Snoliver, Snattle-Tale, and Snaggletooth. Where’d they come from?

Overall, I applaud the authors’ attempt to come up with something inspiring. Unfortunately, they ended up with an uneven art project and a story that could have been better arranged. Better luck next time.


p.s. Do check out this book at Amazon or your local bookstore if you’re interested. They do use some intriguing art techniques for the images!

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