Music Review: Cory Mon & The Starlight Gospel- Turncoats

Hi there!

What is it about the impending arrival of Spring that brings out great new albums? I know Spring is a few weeks away yet, but it seems that great albums are in bloom all over the place. Especially in the folk/rock arena, with artists such as Bobby Long, Lee MacDougall, and Wes Kirkpatrick all releasing albums in recent weeks.

Thankfully, the streak seems to be continuing with Cory Mon & The Starlight Gospel and their release Turncoats that just came out this week. Evidently it wasn’t the easiest project to work on together and there was a bit of turnover in the band lineup while recording. “There was a lot of turmoil,” says Cory. “Artistically, it didn’t work out, but we’re still great friends with everyone.”

Like many bands I’ve reviewed of late, it’s tough to pin down just one style for Cory and the band. They bring aspects of folk and Americana traditions while bringing in bits of country and rock for good measure. And Cory’s voice is the constant across all of it, with a sound that reminded me quite a bit of Big Bad Voodoo Daddy‘s lead singer Scotty Morris. The songs on Turncoats run the gamut from the Western-sounding “3 Step” and the Doors-sounding “Gypsy” to the Bossanova beach party groove of “Dr. Pleasure M.D.” and ’70s-style guitar groove of “Venus.”

Honestly, “3 Step” would be right at home in the soundtrack for a modern Western. (I hear Quentin Tarantino may be working on one and he should definitely give it a listen!) The awesome bass line and sliding guitars give it some serious texture, while it seamlessly slides into a more polished sound with electric guitar solos in the background. All of this along with Cory’s voice telling a dark story about fears of turning into something worse… “Catch me clutching to my crime. / Swear I loathe your jealous type. / You crave possession, now I find my own way home, way home…”

Then we literally slide (via electric guitar) into “Fever” where Cory growls the lyrics about a guy trapped by the love (perhaps lust) of a woman… “Fever / You’re in trouble son / She’s your fever…” It’s his father asking him why in the heck he’s being led by the nose. His father’s been there too – “You won’t catch me trippin’ over wise man’s robes / but why did you go and let her in?” All the while, there’s this amazing bass line and haunting guitars walking the song along.

And then there’s “Gypsy,” which almost has a Doors-feel with a “People are Strange” similar bass line and mixing up the beats and song styles measure to measure. This one is more upbeat than the first two tracks. It seems as though the person singing was looking for advice and may have been confused by the Gypsy offering hers. As he tries to figure it out, he’s playing with ideas… “I think I’ll move to Arizona, where it’s said the souls are warmer / Tired of all these strangers think they read my mind / Turn around they watch you fall, they watch you fall, they watch…”

The whole album mixes styles and rhythms with amazing ease. In “Dr. Pleasure M.D.” it has almost a bossanova groove that reminded me of a beach party, while “Venus” has a ’70’s style guitar that would be at home in many films of the era. It’s obvious that Cory and the entire band have a wide variety of influences, which they mix and match to meet the needs of a particular song.

Cory Mon & The Starlight Gospel offer a unique blend of musical styles that makes Turncoats a great album. If you’re looking for a new Americana band to give a try, I’d encourage you to pick this one up. It’s definitely not your parents’ version of Americana! Be sure to check them out on Facebook and MySpace for news and tour information! It’s available for download on Amazon on MP3.

This article first appeared at BlogCritics.org here.

–Fitz

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Book Review: Eadric the Grasper: Sons of Mercia, Vol. 1 by Jayden Woods

Hey there…

Historical fiction is not one of those areas I usually dabble in when looking for a book to read. Quite honestly, I’m more apt to find an actual history book than read fiction based on a historical figure or period. But I have to admit that Jayden Woods’ debut novel – Eadric the Grasper: Sons of Mercia, Vol. 1 – puts an interesting spin on a figure I had never heard of.

Apparently Eadric (or Edric, depending on the source) Streona was a Saxon who gained the ear of King Ethelred II early in the 11th century. Though a commoner by birth, it is claimed that he worked his way up the noble tree by assassinating the King’s opponents. Beyond that, he may have also acted as a go-between between the Saxons and the Danes, who had been attacking the Saxon coast. Eadric supported paying off the invading forces, while others supported attacking them outright.

The upshot of all of this was that Eadric was suspected of many crimes during his time… from suggesting the assassination of a group of Danes peacefully living in England to murdering several other nobles in Ethelred’s court.

Woods proposes a different view of this vilified character in English history. Instead of acting with truly villainous intent, she paints Eadric as a person trying to do what he thought was right to keep the peace between the Danes and his countrymen. He goes from a swineherd to an advisor to King Ethelred after a chance meeting and things snowball from there as the King began to rely more and more on his counsel.

Eventually he marries the King’s daughter, Eadgyth, which further aids his rise to power. She turns out to have secrets of her own and seems to be tied somehow to The Golden Cross, a mysterious figure providing battle plans to Saxon leaders to aid in fighting back against the continual Danish invasions.

Though this is her first book, I have to admit that it worked really well. Her style involves the use of a great amount of detail, which bogged me down a bit, but the story is engrossing enough to keep things moving along fairly quickly. The constant political intrigue, backstabbing, and mixing of people of both noble and common birth kept me going to the end.

The other thing that I really enjoyed was her attention to the little crunchy details about medieval life. Describing the conditions of a desperate famine early in the book, she says “Men and women from across the land came to Eadric and bowed thei rheads, offering their loyalty and servitude in exchange for a loaf of bread. When the grain stocks were low, Eadric ordered that acors, peas, bark, and beans be ground into subsidiary flour. He saw that the hedgerows were well tended, so that if all else failed, his servants could pick off herbs, roots, grasses, and nettles to cushion their empty bellies…” In the modern world, I can hardly imagine such a thing happening today in the United States, but suspect that it’s still happening far too often in the Third World or even in severely depressed areas.

I think Woods has a bright future in historical or fantasy fiction and she’s already been hard at work on two sequels – volume 2 is Godric the Kingslayer and volume 3 looks like it will be Edric the Wild. And if that’s not enough, she also has a book of short stories set in the world of the Sons of Mercia called Lost Tales of Mercia.

If you’re a fan of historically-based fiction, I’d definitely recommend that you give Eadric the Grasper: Sons of Mercia, Vol. 1 a read. Also be sure to check out Jayden Woods’ website for additional details!

This article first appeared at BlogCritics.org here.

–Fitz

p.s. Pick up these books from Barnes & Noble below:

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Behind the Scenes: Music of The Cape

Hi again!

So over the last few months we’ve seen teasers for NBC‘s new series The Cape and I have to admit I’m intrigued. The concept is a bit like Batman Begins meets Kick-Ass and I will watch at least one episode purely because Keith David is in it. He’s awesome in everything.

But I found out today that in addition to Keith, there’s somebody else contributing to the show that I’m a huge fan of. Bear McCreary.

Bear has done the soundtracks for such shows as The Walking Dead, Battlestar Galactica, and Human Target season 1. (I miss his music on season 2 of Human Target, but it’s still been a fun show this season.)

Well, here he is scoring the music for The Cape with a full orchestra. Though the music sounds a bit like what he did for <em>Human Target</em>, there are subtle differences and I’ll be interested to see what the rest of the music sounds like in that first episode.

Now I’m REALLY excited about Sunday’s premiere episode!

–Fitz

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